this bridge called my back cherríe l moraga isbn

``In love, color blurs but never wholly disappears,'' she writes in another essay that delineates her lovers by race. At its best, her prose contains the same heartfelt revelations that make her poems memorable, as in a sexually explicit account of her first schoolgirl crush. Essays form the bulk of this debut collection, while a few interwoven poems provide a lyrical break from her heavily polemical tone. role in supporting dictatorships in Latin America. The dichotomy of her existence is underscored, she believes, by the U.S. She views the Chicano movement as sexist, stemming from a culture in which rape, incest, battered women and drug abuse are the norm. It is a major statement from one of our most important public intellectuals.The product of a white father and a Mexican mother, playwright Moraga describes herself as a ``mongrel'' and knows ``full well that my mestizaje-my breed blood-is the catalyst of my activism and my art.'' As a radical lesbian feminist, she is alienated from her cousins with their children and pregnant wives. A Xicana Codex of Changing Consciousness reveals key transformations in Moraga’s thought the breadth, rigor, and philosophical depth of her work her views on contemporary debates about citizenship, immigration, and gay marriage and her deepening involvement in transnational feminist and indigenous activism. Yet aspects of her thinking have changed over time. Thirty years after the publication of Anzaldúa and Moraga’s collection This Bridge Called My Back, a landmark of women-of-color feminism, Moraga’s literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Moraga describes her deepening grief as she loses her mother to Alzheimer’s pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa.

She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship.

A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L.

This bridge called my back cherríe l moraga isbn